Aldones Nino

Foto de Vicente de Mello

São Paulo, Brasil

Director of Programs at Collegium

Arévalo, Espanha · 2020 — presente

Member · ICOM

Member · CECA

Aldones Nino is a curator and researcher based in Spain, active within an international network that integrates exhibition curation, residency programs, and theoretical research in contemporary art history. He is currently Director of Programs at Collegium (Arévalo, Spain) and, over the past five years, has collaborated with Instituto Inclusartiz (Rio de Janeiro) in building institutional alliances for artistic residencies and exhibition projects.

At the helm of Collegium, he works to build a network of inter-institutional interactions aimed at expanding access to national and international public collection funds. His theoretical work explores the intersection of art, politics, and memory, with an emphasis on decolonial dynamics and the reconfiguration of art historiography. He serves as an academic reviewer for Res Publica. Revista de Historia de las Ideas Políticas (Universidad Complutense de Madrid) and is a member of the International Council of Museums (ICOM) and the International Committee for Education and Cultural Action (CECA). His research has been presented at conferences across the Americas, Europe, and Asia.

In the editorial sphere, he has published the books Confrontation and Transformation: The Creation of Funarte and the Relationship Between Art and the State in Brazil in the 1970s (2025), Butler and Kafka (2016), and Breviary of Solitude (2018) by Editora Paisagens Híbridas, alongside numerous book chapters and critical essays.

Education

Ongoing

Post-Doctorate in Sociomuseology

Universidade Lusófona

Lisbon, Portugal

2023

Doctor in History and Art

Universidad de Granada — Escuela Internacional de Posgrado

Granada, Spain

Distinction: CUM LAUDE

2023

Doctor in Visual Arts

Escola de Belas Artes, Universidade Federal do Rio de Janeiro

Rio de Janeiro, Brazil

Title: "Coloniality and Body: The Relationships between Power, Art and Decolonial Thought"

2018

Master in History, Politics and Cultural Heritage

CPDOC — Fundação Getúlio Vargas

Rio de Janeiro, Brazil

2019

Bachelor in Art History

Escola de Belas Artes, Universidade Federal do Rio de Janeiro

Rio de Janeiro, Brazil

2013

Bachelor and Licenciate in Philosophy

Universidade São Judas Tadeu (USJT)

São Paulo, Brazil

Additional Training

"EntreOlhares Universitário" Training Program — Itaú Cultural (São Paulo, Brazil)

"What does slavery mean? (15th–21st century)" — Institut d'Études Avancées de Nantes (France)

Curatorial Immersion Program — Escola Sem Sítio (Rio de Janeiro, Brazil)

International Curator Course — Gwangju Biennale Academy (South Korea)

"Gender and Culture Studies" — Escola do Olhar, Museu de Arte do Rio (Brazil)

"La Cooperación para el Desarrollo con Subsahariana África" — Universidad de Jaén (Spain)

Public Administration of Culture — UFRGS in partnership with the Ministry of Culture (Brazil)

Theses

Doctorate

Coloniality and Body: The Relationships between Power, Art and Decolonial Thought

Universidade Federal do Rio de Janeiro

Doctorate

Coloniality and Body: The Relationships between Power, Art and Decolonial Thought

Universidad de Granada

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Master's

The Visual Arts in the 1970s and the Role of FUNARTE

CPDOC — Fundação Getúlio Vargas

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Bachelor's in Art History

Folds in Time and Art Historiography: Approaches between Decolonial Thought and Contemporary Art

Universidade Federal do Rio de Janeiro

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Bachelor's in Philosophy

Human Nature and Vice: The Argumentation of Sadean Libertines

Universidade São Judas Tadeu

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Articles

Between Silence and Healing: Folds in Time and Contemporary Art

Tinta Journal — University of Santa Barbara, California

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Re-elaborating the Colonial Past: Congolese Art in the Epidemic Ignition of HIV

ClimaCom — Universidade Estadual de Campinas

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Experience

2024

Curatorial Projects

Paths of Understanding History

IE Creativity Center · Segovia, Spain

A journey through the Collegium collection, in collaboration with IE University. The exhibition aims to allow the public and the university to reflect on the educational potential of art in developing critical processes in the face of the universality of knowledge.

In the Interior of the Sky

Instituto Cultural de México, Embassy of Mexico · Madrid, Spain

Inspired by the poem of Nezahualcoyotl, a pillar of pre-Hispanic thought. Brought together Mexican artists exploring themes such as geological age, intricate writing processes, self-representation, and territorial resonances.

Transmutation and Alchemy

Paço Imperial · Rio de Janeiro, Brazil

Solo exhibition by Marcela Cantuária.

Beyond the West

Galeria Formato Cómodo — Festival Internacional Photo España · Madrid, Spain

Duo of Manauara Clandestina and Ventura Profana, part of the Festival Internacional Photo España.

Curatorial Coordination

Rituals of the Everyday

Collegium · Arévalo, Spain

Production and education director. Exhibition curated by Clara Kim. Through poetic and concrete gestures, the artists explore questions about how we understand the contemporary world through past times, questioning how a radical renegotiation of our relationship with the natural and social worlds can transform our perception of reality.

2023

Project Coordination

Instituto Inclusartiz

Instituto Inclusartiz · Rio de Janeiro, Brazil

From 2020 to 2023, served as a research and curatorial projects advisor, responsible for institutional relations and directing initiatives related to art, education, and the environment.

Curatorial Projects

Time Is an Illusion

Collegium · Arévalo, Spain

A collective exhibition reflecting on how culture can be influenced by different conceptions of history and temporalities. It questions the idea that time can be objectively quantified and explores the complexity of establishing divisions between past, present, and future. Featured works from the MACBA, MNCARS, MUSAC, and CA2M collections.

Curatorial Coordination

Fold, My Loves!

Collegium · Arévalo, Spain

Production and education director. Exhibition curated by Chus Martínez, based on the development of six site-specific projects by Spanish artists. A reflection on art's capacity to generate and multiply affections in the rural environment.

Artistic Residencies

Between Times — Second Cycle

Collegium · Arévalo, Spain

Coordination and accompaniment of the second cycle of the Between Times Artistic Residency, with Xadalu Tupã Jekupé, an indigenous artist who works with urban art and the tension between indigenous and Western culture in cities.

Publications

Contemporary Art and Rural Context

A Palavra Solta

Text addressing the rural context and the challenges of directing curatorial projects in a medieval town with just over 8,000 inhabitants.

The Algorithmic Era: Artificial Intelligence in the Reconfiguration of Artistic and Curatorial Practices

Critical essay

The 35th São Paulo Biennial: Between Poetics and Precarization

Critical essay

2022

Curatorial Projects

History between Persistence and Critique

Collegium · Arévalo, Spain

A collective exhibition structured around three thematic centers questioning hegemonic narratives and claiming artistic practice as a legitimate form of elaborating discourse. It addressed teaching as a system capable of articulating or disarticulating the status quo, and the weight of religions in the contemporary world.

Substance — SUBSTANCES

Collegium · Arévalo, Spain

Production and education director. Exhibition curated by Patrick Charpenel. Managed loans with collections such as the Pinault Collection and the Isabel and Agustín Coppel Collection, and galleries such as Pace and Continua.

Every Night

Farol Santander · Porto Alegre, Brazil

Solo exhibition by Vicente de Mello.

Proposals for Re-enchantment

Sesc Pompéia · São Paulo, Brazil

Solo exhibition by Marcela Cantuária.

Mirror — Labyrinth

Centro Cultural Banco do Brasil · Brasília, Brazil

A collective exhibition based on the Sérgio Carvalho collection, focused on production from the Brazilian Central-West.

Project Direction

Museographic Project of the Church of San Martín

Arévalo, Spain

Responsible for managing different teams in the adaptation of the deconsecrated church, built in the 12th century and declared a Spanish national monument, into a cultural center for contemporary art exhibitions.

Artistic Residencies

Between Times — First Cycle

Collegium · Arévalo, Spain

Coordination and accompaniment of the first cycle of the Between Times Artistic Residency, with Ayla Tavares, a Brazilian ceramicist who worked in collaboration with the Hernandez Brothers — responsible for a traditional ceramic production center.

Publications and Lectures

Folding Chronologies: Art as a Space-Time Fissure

A Palavra Solta, edition #30

Sérgio Carvalho Collection — This Source Is for the Use of All Who Are Thirsty

Select Magazine, nº 56

Insurrection Before Annihilation: Sparks of a New Time

Amarello, edition #41

Education as Deviation from Colonial Ways of Inhabiting the World

LA ESCUELA — Siemens Stiftung

Artist-led platform for radical learning and collective creation in public spaces, founded by artist Miguel Braceli.

Collegium and Arévalo. Contemporary Art and Heritage in Castilla y León

Hispania Nostra

Conference held with Hispania Nostra, a non-profit association that has been working since 1976 in the defense and promotion of cultural and natural heritage.