SOLITUDE series (40/260)
2018 - 2020
Printing on photo paper.
30 x 20 cm
This series is an ongoing project, currently composed of approximately 250 photographs. These are images that enunciate daily activations where physicality touches on issues such as solitude, deprivation and poetic creation. As a starting point I also evoke contemporary relationships based on geolocation applications and the distance from the encounter, materialized in these ephemeral records that point to the permanence of enjoyment with the other.
With an interest in highlighting the character of the work linked to the plurality and repetition of everyday life between 4 walls, the images enunciate daily activations where physicality touches on issues such as solitude, deprivation and poetic creation, articulating frictions between:
semen
seed
dream
solitude
solitude
wish
difficulty
denial
empty
sadness
happiness
enjoyment
separation
exile
miscommunication
retreat
exile
introversion
muteness
silence
serenity
peace
Danger
fight
absence
lack
scarcity
deprivation
subjectivation
idea
aspiration
Image
repetition
absorption
concentration
contemplation
ecstasy
addiction
enchantment
compulsion
obsession
rule
practice
habit
mania
failure
licentiousness
infamy
stimulus
outrage
perversion
attachment
audacity
exposure
fragility
dependency
blemish
failure
milk
germ
birth
genesis
melancholy
fading
withdrawal
purpose
failure
block
barrier
hopelessness
despondent
affliction
doom
badlands
joy
soot
improper
rejoice
godliness
tenderness
attachment
devotion
abstraction
debauchery
BREVIÁRIO DA SOLITUDE
Book
32 pages.
Publisher: Hybrid Landscapes; 1st Edition, 2018.
ISBN: 978-85-69970-13-2
13.5 x 15 cm.
Photo essay by Aldones Nino. The book, through an iconographic journey of self-portraits of the artist, reveals aspects of solitude, isolation and layers that involve the encounter with the Self. The series of images also tense and cross themes that impact the contemporary way of life.
JAÉN Series
Printing on photo paper
Variable dimensions
This series consists of a set of 20 photographs that integrate the doctoral research developed at the University of Granada in cotutela with the Postgraduate Program in Visual Arts at UFRJ. Starting from an exercise of looking at everyday landscapes, the records seek to reveal paths that are intertwined. This set of photographs were taken during the first year of research, initiating a series of investigations, which articulate issues and crossings between contemporary art and art historiography, inserting biographical notes that tension limitations between enunciation, power and rupture.
